Last week, I got a gig working on a film and I’ll be doing this for a bit. Film jobs have their ups and downs, but all in all, I am really, really glad to be back on another show. The company is great (and it better be, with 12-hr days!) and it just really gets my blood going.
Jamey always says the universe gives you what you want and you’d just better be clear on what you want. I’ve taken liberties with what she says, but I think the message is generally correct. 🙂 Shortly before this gig came up, I was telling a friend in a coffee shop, “My whole body hurts when I see movie vans and I’m not working on a show.” So, the universe gave me what I needed and I’m glad it did.
The bounty of my Netflix queue offered up Cirque du Freak: The Vampire’s Assistant, which started filming at the tail end of The Final Destination, just a few blocks from us. Then, on Friday, at the end of my long-ass work week, I got my issue of Entertainment Weekly. The Summer Movie Preview issue, no less, which highlighted two movies filmed in New Orleans, around the same time: Jonah Hex and The Expendables. I see that Jonah Hex filmed at Lafayette #1, a cemetery near my house. I’ll be looking for that now.
So that’s where I’m at lately. I’ll carve out some time for the book, somehow, because I’m this close to finishing it. This close means I’m at page 231 of what will be about a 300 page manuscript.
Today, I swung by the Pirate’s Alley Faulkner Society’s Meet the Authors event, which featured some friends of mine. David Madden was representing his newest book, Abducted By Circumstance, and also a story that had been reprinted in Best of LSU Fiction, edited by Nolde Alexius and Judy Kahn. Then, there was presentation by Scott Ellis, author of Madame Vieux Carre and Elise Blackwell read from her newest novel, An Unfinished Score.
Let me tell you about this event. You’d kinda have to know about New Orleans in order to fully appreciate what I’m about to tell you. If you do know New Orleans, imagine the prettiest day imaginable. Bright sun, but not too hot. Absolutely clear, a sweet breeze blowing in. Lots of tourists, but not too many. You’re in the Cabildo, the upstairs room with all the windows overlooking Jackson Square and past that, the little amphitheater that’s on the river side of Decatur, right on the levee. Everything is beautiful and happy, for a moment out of time. You’re in a room with writers you admire and some you know and love. Everybody’s got new books (which you buy, that’s what credit cards are for), everybody’s dressed for spring, everybody’s digging the mint julep tea. Then, Elise Blackwell reads from her book, about a viola player, about music, and from the square below, teeming with Tarot and palm readers, musicians and street performers, an unseen man starts singing opera in this big, round voice that reaches up into the room, dueting with Elise’s voice perfectly. That’s what happy is. That’s what New Orleans is.
And then, there’s always Stanley’s afterward, with Maurice. And a few hours after that, there’s gonna be watching Treme at a great bar with friends. Actually, that second part would be in about an hour, y’all, I got to get going…
But before I do, here’s some pictures, cause you know I’m all about giving you presents.
David and I
Judy Kahn, Scott Ellis, David Madden, Elise Blackwell, Nolde Alexius