Category Archives: bragging on

Anniversary August and my GoFundMe campaign

August is ridiculous with birthdays (soooo many people I love!) and anniversaries–marriage anniversaries (my parents, my sister and her husband) as well as two of my personal milestone anniversaries.

Seven years ago (7!) I moved to New Orleans. I’ve now been in Nola as long as I lived in Baton Rouge. Maybe I suffer from the seven year itch, because I was desperate to leave BR in 2007 and with all of the shakeups in my life recently, I’ve been wondering if I need to be elsewhere for a little while. More on that in a minute.

Three years ago, I went to my first tango class and started my journey as a tango dancer. Because the community of tango dancers worldwide is fairly small and they tend to travel a lot, tango has actually increased my desire to travel to new and favorite places. To dance with new communities and return to those I enjoy: Chicago, Atlanta and now D.C.

Which brings me to my GoFundMe campaign, which I launched about a week ago. I’ve been offered a place at Soaring Gardens, an artists’ residency in rural Pennsylvania. I get to live and write in this house for a month and I’m raising money to fund the trip. I’ll be working on new chapters of my memoir, Tango Face, named after the essay I wrote about the cabaceo, which won the 2012 Faulkner-Wisdom Creative Writing Awards in the essay category. The memoir is about what learning tango has been teaching me about myself and my relationships. The way people have been responding to what I’ve written so far has been very gratifying and has pushed me to continue.

Every year, I make my best attempt at 50,000 words during the month of November for NaNoWriMo, so I know I can write lots of new material in a month, especially since I’ll be removed from the distractions of my everyday life. Including my tango community, which is bittersweet. While I’ll miss dancing with them, it’s been really cool how supportive and encouraging they’ve been.

In fact, all of my communities have been extremely supportive through this process. I’m very grateful and inspired by all of you!

Be on the lookout for a NolaFemmes post soon about New Orleans-specific places and things I’ll miss while I’m gone.

On Sunday the 17th, at the 2-week mark of the GoFundMe campaign, I’m having a goodbye party and fundraiser celebration. It will be at Pelican Bay on Elysian Fields, starting at 2 p.m.

And the GoFundMe campaign will officially wrap up on Wednesday the 20th, one week from today. So, if you have $5 or $10 to donate, please do. Every single contributor will be named in the acknowledgements of the memoir when it’s published *and* I have secret lagniappe gifts to thank everybody. Plus, I’m planning a special Bragging On post just for contributors to share how talented and wonderful all of you are.

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The Re-Reading Project Guest Post: Children’s and Household Tales

The wolf thought to himself, “What a tender young creature! what a nice plump mouthful—she will be better to eat than the old woman. I must act carefully, so as to catch both.” So he walked for a short time by the side of Little Red-Cap, and then he said, “See, Little Red-Cap, how pretty the flowers are about here—why do you not look round? I believe, too, that you do not hear how sweetly the little birds are singing; you walk gravely along as if you were going to school, while everything else out here in the wood is merry.”

Little Red-Cap raised her eyes, and when she saw the sunbeams dancing here and there through the trees, and pretty flowers growing everywhere, she thought, “Suppose I take grandmother a fresh nosegay; that would please her too. It is so early in the day that I shall still get there in good time!” and so she ran from the path into the wood to look for flowers. And whenever she had picked one, she fancied that she saw a still prettier one farther on, and ran after it, and so got deeper and deeper into the wood.

When I was a girl, the tales my mother told at bedtime weren’t fictions. They were the lens through which I saw the world, the overlay I superimposed over my experience. I dropped bread crumbs in the deep dark woods behind my house. I told my little brother and sister about the witch who lived in our rotting barn. I heard her cackle, a high wheezing sound like the wind during hurricane season. At night, when I looked out of my window at the dizzy moon, I heard the howl of the wolf.

I can still hear my mother’s voice, telling the tales she told me when I was little. I loved those stories, and I was thrilled when my father gave me a beautiful edition of the Grimms’ Children’s and Household Tales – collected with Aesop’s Fables and the fairy tales of Hans Christian Andersen –to read by myself. At six or seven, I stayed up, late at night, reading and rereading those stories.

Mary and Grimm

When I had my own daughter, three years ago, I looked forward to telling her the tales of the Brothers Grimm. But when I picked up my book to reread them, I had an altogether different experience than the one I had as a girl. The awe and wonder I once felt for these tales quickly faded as I noticed their underlying assumptions about gender: Why does Little Red Riding Hood fall for the wolf’s scam?, I wondered. Is her head filled with nothing but flowers and sunbeams? And how convenient that the huntsman happens to pass by just in time to save her from the belly of the wolf.

Another of my childhood favorites, “Rapunzel,” was similarly disappointing, this read, especially the moment when the title character accidentally reveals her affair with the prince. Apparently lacking the intellectual capacity to deceive her captor, Rapunzel slips up while the enchantress climbs her hair, saying: “Tell me, Dame Gothel, how it happens that you are so much heavier for me to draw up than the young King’s son—he is with me in a moment.”

Scattered throughout the book are a few stronger heroines. There is Grethel from “Hansel and Grethel,” who pushes the “godless witch” from the gingerbread-house into the oven. There is the miller’s daughter in “Rumplestiltskin,” who despite weeping a great deal in the beginning takes a semi-active role in defeating the little man at the end. (Both my daughter and I take great pleasure in the moment when she guesses his name, and he cries out miserably, “The devil told you that! the devil told you that!”) And there is the heroic sister in “Seven Ravens” who travels “to the very end of the world,” where the sun and moon try and fail to devour her on her way to save her seven brothers. But by and large, the magic and simple beauty of these tales is marred by the overabundance of wicked old women and foolish damsels in distress.

So how did these tales, which likely began as stories told by women to women and children, become so problematic? When I finished rereading Children’s and Household Tales, I decided to find out. It turns out Little Red Riding Hood – titled “Little Red-Cap” in my translation after the German “Rotkäppchen” – is first referenced as a 10th century oral French story folklorists call “The Story of Grandmother.” In this early incarnation, instead of needing rescue, Red cleverly escapes the wolf on her own by telling him she has to relieve herself. But in the first version of the tale to appear in print, “Le Petit Chaperon Rouge” (1697), male author Charles Perrault includes no such happy ending: Red strips for the Wolf, gets into bed with him, and is eaten. In a moralizing message at the end of the tale, Perrault uses a double entendre likening “gentle wolves” to predatory gentlemen “following the young maids in the streets, even into their homes.” The Brothers Grimm, it seems, added the now-popular ending of a heroic huntsman cutting Red and her grandmother from the belly of the wolf in their first edition of Children’s and Household Tales (1812).

A similar pattern of the heroine gradually weakening over time can be seen in the history of the Rapunzel tale. In all versions of the story, the basic pattern is the same: a mother craves a plant while pregnant, eats it, and the owner of the garden takes the child as payment. Then the child is placed in a magical tower, where a prince falls in love with her and climbs up her hair. In the first version to be published in print, “Petrosinella,” by Giambattista Basile (1634), a gossip tattles on the maiden’s nighttime activities with the prince, rather than the maiden betraying herself, and the maiden plots her own escape using three magical nuts. In the next known variant, Persinette (1698), Charlotte-Rose de Caumont de La Force has the maiden betray her own affair with the prince by complaining to her captor that her dress is getting tighter, but adds the bit about the power of the maiden’s tears to heal the prince’s blindness at the end. The Grimms’ version (1812) has the weakest heroine,  with “Rapunzel” making the foolish mistake of admitting that the prince has been “with her” and only being reunited with the prince when he stumbles blindly upon her in the wilderness.

The gradual weakening of the heroines of these tales –from the stronger girls of earlier variants to the “tender young creature[s]” of the Brothers Grimm – makes me wonder what has been lost, over the centuries, as these stories have been told and retold in print. What details might we reclaim from the past, or add for the future, so that our children will see more than tender young creatures, wicked witches, and wolves in the world?

***Mary McMyne Wolf Skin

Mary McMyne is the author of Wolf Skin (Dancing Girl Press, 2014)a chapbook of poems that retell European folktales from alternate perspectives, such as the huntsman from Little Red Riding Hood, the witch from Rapunzel, and the woodcutter’s wife from Hansel and Gretel. She teaches at Lake Superior State University, where she is co-editor of the journal Border Crossing. Her stories and poems have appeared in Word Riot, Pedestal Magazine, Painted Bride Quarterly, Los Angeles Review, Apex Magazine, New Myths, New Delta Review, Poetry International, and many other publications. Her poetry has been nominated for the Pushcart Prize and the Rhysling Award. Her criticism has appeared in American Book Review. A recipient of the Faulkner Prize for a Novel-in-Progress and a Sustainable Arts Foundation Promise Award for her fiction, she is currently at work on a novel set in 12th century Germany, which speculates about the historical roots of several well-known fairy tales.

 

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Everybody Brag Now

This bragging on post might be my most overdue yet! Many folks have had multiple successes since I last bragged, so as always, this is always just a tiny sampling. I can’t keep up with these exciting movers and shakers. Still, I try…

As 2014 started and the Oscar nominations were announced, many films shot in New Orleans were included. Robin Mathews (makeup) and Adruitha Lee (hair) won for their work on Dallas Buyers Club. Not only did Twelve Years a Slave win best picture (!), but the amazing production design/set decoration teams and stellar costume department were recognized with nominations. It was so exciting to see the effect Lupita Nyong’o had even before she won the best supporting actress category. It was a great start to the year.

Lavender Ink and Nancy Dixon published N.O. Lit: 200 Years of New Orleans Literature, which includes work by folks like Moira Crone, Andrei Codrescu and John Biguenet, alongside Faulkner, Truman Capote and Tennessee Williams.

After a year of amazing interviews for Hothouse, Karin C. Davidson has compiled an Anniversary Album, putting together more questions and answers from her interview subjects, as well as a playlist of music they’ve each picked. Karin’s “Something for Nothing” was a finalist in Bayou Magazine‘s fiction contest, judged by Lucy Bledsoe.

Studio delle Sorelle’s first art opening at Bev Coates’ Guest House featured a painting by Judy Kahn.

Judy Kahn's painting

Suparno Banerjee has published a paper, “Melodrama, mimicry and menace: Revinenting Hollywood in Indian science fiction films” in Volume 12, issue 1 of South Asian Popular Culture.

Near Valentine’s Day, Danielle Gilyot wrote a love letter to her younger self.

Jeff Roedel has directed the music video for England in 1819’s song “Sirens.”

jewel bush, Justin Torres and Mat Johnson all have stories in Dismantle, the VONA Anthology (with an introduction by Junot Diaz).

Contemplative Man by Brock Guthrie was published in March. Here’s a great review.

Joseph Boyden‘s The Orenda is the 2014 winner of Canada Reads. The Orenda will be published in the U.S. in May.

Jamie Amos has been busy, with new stories at Cold Mountain Review (“Defensive Wounds”) and at storySouth (“Spit”).

M.O. Walsh‘s book My Sunshine Away (due out next January) was announced as one of five Buzz Books and will be showcased at the BEA Conference in May.

Kaledioscope, a magazine for LSU’s Humanities and Social Sciences Departments, features quite a bit of great news in its Fall 2013 issue, including a feature on service learning courses on page 11, a feature on filmmaker Zack Godshall on page 13, a story about Associate Dean Malcolm Richardson on page 16, and a feature on the Creative Writing Department (plus two books I mention later in this brag) on page 18.

Montana Miller reports “After three marathon days of training in Eloy with the USPA Chief Judges, my brain is leaking out my ears and my eyes falling from their sockets, but my heart is leaping with joy and gratitude: I am a newly-rated National Judge for formation skydiving!”

Tad Bartlett‘s story “Hung Over” was published by Rappahannock Review.

Judge Claire Messud selected Summer Wood‘s story “Boomerang” for the 2013 Indiana Review Fiction Prize. Mary McMyne‘s story “Camille” was also a finalist.

Speaking of Mary McMyne, her story “Reading His Own Obituary” was published by Narrative Northeast in January. Faerie Magazine will publish Mary’s poem “Rapunzel Tucks the Twins into Bed,” in the next issue. Her poem “Irene Joliot-Curie” published in Painted Bride Quarterly No. 86 was nominated for a Rhysling.

Penelope Dane reviewed This Assignment Is So Gay, an anthology edited by Megan Volpert, in the March issue of Bitch Magazine.

Cara Jones has written an essay called “Taking the Woman Out of Women’s Health,” published at Nursing Clio.

First, the cover and title page of the Long Hidden anthology were revealed. Then, there was a wonderful review that specifically mentions Jamey Hatley‘s story:

“…“Collected Likenesses” is thought-provoking, with fascinating magic and heart-rendingly real characters.”

And most recently, Jamey’s interview with Roxane Gay was published at Press Street’s Room 220. Roxane has just announced she’ll be joining the MFA Program at Purdue University in the fall, as an associate professor.

Here’s a great review of James Claffey‘s Blood a Cold Blue. James is also editing the Ireland and the Irish themed issue of Literary Orphans, due out at Easter.

Literary Orphans

Maurice Ruffin has been very busy, as always. “Catch What You Can” will be published in Redivider Journal‘s issue 11.2 in May. “Heathen” will appear in issue 2 of  The Knicknackery. “Motion Picture Making” will appear in issue 2 of Writing Tomorrow in June.  “Heroes and Villains,” will be published in an upcoming issue of 94 Creations. To top it all off, he’s been accepted to Tin House’s Writers Workshop.

Cara Blue Adams interviewed David James Poissant for Tin House.

Melinda Palacio‘s book of poetry How Fire Is a Story, Waiting was a finalist in the 2013 Paterson Poetry Prize. She just traveled to New York for the awards reading.

June Pulliam‘s Encyclopedia of the Zombie will be available in June.

Andrew Lam‘s Birds of Paradise Lost is a finalist for the California Book Awards. The results will be announced in June.

Rachel Hebert performed “Just What I Need” for the Birmingham Sessions.

Helen Krieger has also had a busy couple of months. She was accepted to study at USC’s School of Cinematic Arts and Least Favorite Love Songs, the webseries she made with her husband and band of Nola cohorts, is nominated for a Webby. To celebrate the nomination, a special episode from the series will premiere this Sunday at 10 p.m. at the new theater Indywood.

The second book in Ronlyn Domingue‘s Keeper of the Tales trilogy, The Chronicle of Secret Riven, will be published next month. Here’s an interview with her.

Charlotte Hemrick is interviewing local female poets at NolaFemmes for Poetry Month. First up was Kelly Harris and most recently is Cassie Pruyn. There will be a new interview posted on Friday.

Also happening on Friday at 7 p.m. at Cafe Istanbul is the second installment of Yeah, You Write, which will feature Cassie and myself. Kelly read at the first installment of Yeah, You Write. This year’s lineup is simply incredible John BarryJoseph Boyden, jewel bush, Beth Ann Fennelly and Tom Franklin, Benjamin Percy, Cassie and myself, with DJ Sep, images by L. Kasimu Harris and the whole shebang will be MC’d by Nick Fox. All for a $5 cover – you can’t beat that. Here’s the poster for the details:

Yeah, You Write 2014

I hope you enjoyed this attempt of mine to keep up with this phenoms. Moreso, I hope that you check out the links and come by Yeah, You Write on Friday. I can’t promise that I’ll be better at keeping up with these folks, but I can guarantee that they’ll be doing amazing things in the coming months.

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My end of 2013 homework

It occurred to me yesterday that 2013 has essentially been one long Friday the 13th, full of trials and trouble. However, it was also full of achievements. I’m so glad I’ve taken this opportunity to remember that. Jamey first suggested that I spend some time remembering what I accomplished back in 2010 and this year, she was instrumental in reminding me about most of this list. I’m grateful she did and I’m grateful I have her to make me do this homework every year. 🙂

Thirteen Amazing Things about 2013

1. I bragged on the wonderful, talented, hard-working people in my life, more than ever, and even had trouble keeping up with their achievements, there were so many.

2. I worked on my first t.v. show, which was an incredible education and a lot of fun. It premieres next month. Later in the year, I worked on a live, televised awards show, which was a short, crazy, enormously fun experience. I had the opportunity to work on my friends’ projects, which was very rewarding and inspiring. In the last of the year, I worked on a reality show pilot, another new t.v. experience.

3. I attended the weddings of dear friends, friends from the tango community and friends I’ve known for over a decade. I don’t talk a lot about my personal life on here, but I am so proud of my friends and families for all of the personal milestones they’ve achieved this year.

4. I co-wrote a feature-length script called Ostium, with writer Nick Cardinale, which was a Quarter Finalist in the Creative World Awards.

5. I organized and co-hosted a new tango series, Tango X. We had four installments this year, the last one was part of the incredible New Orleans Tango Weekend.

6. I moved for the first time in 6 years.

7. I was interviewed about my writing for the first time.

8. I performed my award-winning essay, “Tango Face,” for my tango community. It was an inspiring night of musical performances, readings and of course, dancing. Later, at Tango X, I had the opportunity to teach my first tango lesson, together with Casey Mills. And, “Tango Face” was published by the Double Dealer at the end of the year.

Orquesta Fleur Flyer, 2013-10-26 Cafe Instanbul(1)

9. I interviewed Josh Hanagarne in front of an audience and moderated Peauxdunque’s panel on writing groups, both at the Louisiana Book Festival.

10. I didn’t win NaNoWriMo, which ended up being its own awesome education.

11. I read almost as much nonfiction as fiction (27 to 34) this year, which is unusual for me. As I said in my last post, I became a student of the memoir in an effort to write a better one.

12. I took workshops and lessons from amazing professional tango dancers/instructors like: Damian Lobato, Rod Relucio & Jenny Teters, Silvina Valz, Tony Fan & Ilana Rubin, Ney Melo & Jennifer Bratt, and Homer & Cristina Ladas. I had the opportunity to study with these fantastic dancers and teachers because of the people in my tango community, who teach me every day. I’m taking all of the experiences and lessons I’ve had into my future in tango, looking forward to studying and dancing more.

David y Jessica Gentry (New Orleans Tango Weekend organizers), Homer Ladas and myself, Ney y Jennifer. Cristina Ladas took this great photo.

David and Jessica Gentry (New Orleans Tango Weekend organizers), Homer Ladas and myself, Ney Melo Jennifer Bratt. Cristina Ladas took this great photo.

13. I found my core. In tango (and dance), your core is what gives you balance and everyone’s is slightly different. It sounds like an easy thing, to find your core, but it isn’t. And even when you’ve found it, you have to continually work to access it, to use it to become a better dancer. I think I might’ve started on the road to finding my personal/emotional core this year, sorting through the junk to find the treasure. Now that I’ve found it, I look forward to working to access it, through my dance, my writing and my relationships.

I’m excited about 2014 and all that it promises to be.

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Carol of the Brag

These aren’t late presents. These are the presents you get after Christmas when you’re going through present withdrawal. And these are presents you can easily re-gift, just by telling somebody about them. Instant recyclables, so they’re incredibly green and cost-effective. With no further ado, here’s the last (not-late) (green) (cost-effective) brag of 2013:

Rachel Marsh has an essay called On the Internet and On the Street No On Knows the Artist is a Dog in GENERATORprinthouse’s newsletter. Also, her story “The Yellow House” was published by Exegesis. When I was with Rachel in Scotland (in 2007), I visited the real Yellow House with her and sat in on her writing group’s meeting when everyone read what they’d written about the house. I even have my own version of “The Yellow House” somewhere. You should check out Rachel’s, and see what she wrote on her blog about publishing this piece in 2013, almost entirely unchanged since it was written in 2007.

Least Favorite Love Songs now has three episodes up from its second season. Check them out. This webseries is produced by a small, incredibly talented crew of locals, so I’m bragging on them collectively.

CavanKerry Press will be publishing Brent Newsom‘s book of poetry Love’s Labors.

After a successful fundraising campaign, DaVida Chanel‘s play “Hip Hop is Alive” traveled to the Atlanta and Chicago Fringe Fests this year. “Hip Hop is Alive” was performed at the New Orleans Fringe Fest in 2011.

Dub Lee and Chris Odinet‘s house was featured in The Advocate, also showcasing some of Dub’s gorgeous paintings.

Left Hand Press will publish Susan Kagan’s Basic Wiccan Ethics.

Here’s a great short documentary on Montana Miller and her aerial/acrobatic career.

In addition to his general awesomeness and lots of readings about town, Maurice Ruffin has an essay in the “cultural atlas” Unfathomable City (pg 133).  It’s a beautiful book, full of local folks, so check it out. Here’s a great review in the Chicago Tribune, which mentions Maurice’s essay.

Joselyn Takacs‘ story “Something Irrevocable” was finalist in the 2013 Narrative 30 Below contest. She was also a finalist in 2011 with her story “Flares of Little Warning,” available here.

Aaron Hogan of Eye Wander Photo won a “Fearless Award” for “Jamaican Bride,” one of the “most daring and extreme wedding photographs worldwide.”

Che Yeun‘s amazing essay “Saphir’s Room” is online at Trop Mag and she’s been nominated for her second Pushcart Prize for her story “One in Ten Fish Are Afraid of Water.”

“Dreams Do Come True,” a photo exhibit by L. Kasimu Harris is at Bellocq through January 19th.
L. Kasimu Harris photo exhibitMary McMyne‘s story “Lilith,” a retelling of how Lilith is cast out of Eden, will be published by NewMyth.com. Her chapbook Wolf Skin will be published by Dancing Girl Press and her novel-in-progress The Book of Gothel received a Sustainable Arts Foundation grant.

James Claffey, among many, many other achievements, has been interviewed here. Also, read his story “Prehistory” here. And a short story at Causeway/Cabhsair called “His Life a Pitted Table…”

Melissa Remark wrote the film Call Me Cappy, which just wrapped production.

Women in Film and Television (WIFT) Louisiana just named Mari Kornhauser the winner of its inaugural Iris Award for Outstanding Contributions to Women in Film & Television.

mari WIFTVeronica Brown‘s The Daughter of the Puppet King will be published next year.

She is Alex by Eritria Pitts has a new video called “Secret Santa.”

Jamie Amos has a story coming out in the Florida Review called “A Good Dog Buries Its Bone” and was just named Assistant Nonfiction Editor at the New Orleans Review.

Hila Ratzabi has a poem at Women Poets Wearing Sweatpants.
Spillway Magazine has published poetry by Alison Grifa Ismaili.

Jamey Hatley has just published an essay about the art of postcards at The Toast.

Many of my former and current brags are listed in Chris Waddington’s “Top 10 Books of 2013 for New Orleans readers” and there is a smorgasbord of brag-worthy writing in the newly released The Double Dealer. Work by Peauxdunquians Terri Stoor, Cassie Pruyn, Tad Bartlett, J.Ed Marston, Tom Carson and yours truly (pg 410), as well as Rodger Kamenetz, John Biguenet, T. Geronimo Johnson, Harold Ellis Clark, Jennifer Steil, Chris Tusa, Alison Grifa Ismaili and Elsie Michie, among many, many more. You could spend weeks reading the excellent writing in the 400+ issue of The Double Dealer and I hope you do.

That should see you into the next year. I’ll be posting my regular end-of-the-year posts over the next few days and the brag will be back in 2014, have no fear.

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NaNoWriMo 2013 Days 16-18

So, back on Day 15, after I posted my update, I went to a fantastic concert at House of Blues’s Parish Room (which is also where I saw Lissie’s phenomenal show a few years ago). I was looking forward to Clairy Browne and the Bangin’ Rackettes for *weeks*, but I wasn’t sure if I’d be able to go till the day of the show. While waiting for my friends N. and M. outside, I saw a guy who looked vaguely familiar with a lady who didn’t look familiar at all. We had a pretty typical New Orleans conversation:

Me: “Hey, do you know where I know you from?”

Him: “No, but you sure do look familiar to me, too.”

Me (shrug): “Well, it’ll come up again some day, I’m sure.”

And then it took a turn for the surreal, which is still fairly typical of New Orleans conversations:

Her: “Hey, this guy just gave us two tickets to this show and we can’t stay for it. Do you want these tickets?”

Me: “Oh *hell* yeah!” (snatches tickets).

Still, no clue how I know him. Except now I know them both as concert ticket-bequeathing angels.

The Honorable South opened the show, which was exciting. I found out about them when my friends Adam Gambrel and Jax Baker directed and produced the music video for their song The Beast. Realized while grabbing links just now that more friends worked on it: Jil Szewski and Natalie Johnson. Adam’s just directed another video for their new song Saint Charles Parish.

Clairy Browne and the Bangin’ Rackettes were everything I’d hope they’d be. N’s friend A. joined us and we totally danced a loopy awesome swing style dance in the midst of the packed crowd. It was probably totally obnoxious to everyone around us, but also totally awesome. It was just one of those nights. I hope you have one or two soon, yourself.

I worked on Day 16 and had another long, fantastic social evening. No words! Ditto with Day 17, except it (Sunday) included a performance of Waiting for Godot at Tulane, attending with a friend with friends in the cast. It was really funny and well-done. Afterwards, we had to sustain ourselves with steak. So, still no words.

So I broke my no-word streak today. After a long day of work, I had an hour-long word war with Sis. At first, I didn’t know what to write. I started reading the next chapter of my book, looking for sections that could use shoring up or extra scenes. And I got inspired. As I was writing the scene, I realized that I may completely discard it, but that it was telling me something about how I felt the story had to go. By the end of the scene, I was fairly sure I’d keep the scene and change the rest of the book. The magic of NaNoWriMo.

I wrote 1,215 words, which brings my total so far this year to 10,538 words. I need more than 3,000 daily in order to hit 50,000 words by the 30th, so it’s increasingly unlikely I’ll “win” this year. But what an educational adventure it’s been. And at least I creeped over the 10K hurdle. In my worst year, I only wrote 6,827 words. So, I’ve already done better than my worst. It’s all gravy after that!

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NaNoWriMo 2013 Days 4 and 5

Yesterday was a good day – but I completely forgot to update. I finished a new chapter that I’ve been realizing is necessary but which had been a rough sketch previously, only a page or so. It all came together yesterday and I wove together a lot of new words with some I’d written at various times. The whole chapter is 1,868, most of them new. Enough that I’m counting all of them. It was about three hours of writing/editing.

Today was a busy day with work. Then, I went over to Octavia Books to see Maurice, Rebecca Snedeker, Eve Abrams and Billy Sothern read from their parts of Unfathomable City. It’s a really cool book. I guess this counts as a brag, in the middle of NaNoWriMo, no less.

I did get write 423 words tonight. It’s about all I can manage at the moment.

Total so far: 2,851 words.

 

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Who’s got the brag?

I think this may end up being my most massive brag ever.

As usual, Tad has done a fabulous job of keeping track of Peauxdunquian achievements in real time. For instance that Cassie Pruyn is second runner up in the Faulkner-Wisdom’s poetry category, that J.Ed Marston and Tad Bartlett are both finalists, that Maurice Ruffin’s upcoming reading October 3rd, plus much, much more. So I hope you have the Peauxdunque blog bookmarked.

Jeff Roedel was one of 30 writers asked to write a story responding to a photograph by William Greiner for the book Show & Tell.

The Spring 2013 issue of The Eudora Welty Review features Alison Graham-Bertolini’s “Searching for the Garnet Pin.”

The Devil In Her Way by Bill Loehfelm was a “best new local book” on the Best of New Orleans list, picked by Gambit readers.

Ava Leavell Haymon is now Louisiana’s Poet Laureate! Her official induction will be October 24th. Also, her new book of poetry Eldest Daughter was published recently. I attended two events this week where she read from the book, including at a Women’s Week event yesterday at the Baton Rouge Art Gallery, along with Jamey Hatley and several amazing women writers.

Dispensations by Randolph Thomas won the New Rivers Press MVP Prize and will be published soon!

Jenn Nunes has three short fiction pieces at Fiction Southeast.

Blood a Cold Blue by James Claffey is now available. The official launch is this Friday! I love this blog post from his wife Maureen Foley, about being a couple who both write and both of their books being published at the same time.

Che Yeun’s story “One in Ten Fish Are Afraid of Water” has been selected as the winner of Philadelphia Stories‘ Marguerite McGlinn National Prize for Fiction.

Jewel Bush has written several articles for The Uptown Messenger, including a recent one celebrating the 30th anniversary of Community Book Center.

The Booklover’s Guide to New Orleans by Susan Larson has been published!

Cam Terwilliger will be writing an ongoing “field notes” series about his year in Montreal on a Fulbright Scholarship.

L. Kasimu Harris was featured on WDSU‘s pregame show tonight and was photographed by Daymon Gardner for the December issue of Travel + Leisure, which will be available in Nov. Check out this picture that Giancarlo Dagostaro took of the session.

Kasimu

NOVAC’s Web Weekend has three more days to raise the last $200 of their $5,000 Kickstarter campaign goal. Go check out what they have planned for the Weekend, next month, and see the swag they’re offering their backers. Eritria Pitts of She is Alex will be part of the Web Weekend and you can check out her short “Blind Date” to whet your appetite.

Speaking of Kickstarter campaigns… I don’t technically know JJ Tiziou, but I kinda feel like I do since his project “Everyone Is Photogenic” is changing my life. Ever since I saw the video for the campaign, I can’t tell you how many many times I’ve heard someone I care about respond badly to a photograph of themselves. Whenever they do this lately, I bring up this project and we have a great conversation about confidence and photography and beauty.

The t.v. show I spent part of last year and the first half of this year working on has released an incredible trailer. I get chills every time I watch it. The show, True Detective. will air on HBO early next year. Makes me very proud to have been part of it.

Speaking of being proud of a project, 12 Years a Slave opens on the 18th and I’m eager to see it. Hearing the Oscar talk now reminds me of the conversations we had while working on it last year – we knew it was special and we knew it was important. It’s going to be incredibly emotional to watch and I’m so glad it got made.

Since I promised that I will self-brag when appropriate, here’s some news about me and my work. Since my last brag, my reviews of Bill Loehfelm’s The Devil in Her Way and Suzanne Johnson’s Elysian Fields were published in 225. Karin C. Davidson interviewed me for Hothouse Magazine. It was a great experience and I’m honored to be a part of this series, which includes great interviews with Brad Richard and Andrew Lam, among others.

Next month, on the 26th, I will read “Tango Face” at a special event at Cafe Istanbul. Orquesta Fleur will play live tango music, there will be dancing and readings about tango and its history. Should be very cool. At the Louisiana Book Festival (Nov 2nd), I will be conducting a live interview with Josh Hanagarne, author The World’s Strongest Librarian, and presenting a panel with fellow Peauxdunque members Tad Bartlett, Susan Kagan and Maurice Ruffin, which is pretty exciting. And shortly after that, “Tango Face” will be published in the Double Dealer, coinciding with this year’s Words and Music Festival (Dec 4-8). The last quarter of 2013 is looking to be very productive.

Speaking of quarters…I owe y’all my 3rd Quarter Review soon. I hope you enjoy all of this bragging for now – these people and these projects are amazing, so go spend some time with them.

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All Things Brag

Forgive me, it has been two months since my last brag. More than two months. This post is long overdue. The good news when it takes me a while to post is that there’s more to talk about. But that’s also the challenge, too, keeping track of everything.

Shortly after my last bragging post, my interview with Ronlyn Domingue for 225 went live. Ronlyn and I talked for over an hour and pretty much every word out of her mouth was quotable. It was a great problem to have and a wonderful challenge to shape the interview.

Fellow tango dancer, also aerialist and circus performer, Elise Duran was featured in DIG, a Baton Rouge magazine. It’s a great piece and has phenomenal photos of Elise performing.

Brent Newsom has a poem up at PANK Magazine, “Smyrna.” He also tweets. Check him out.

Solimar Otero has a book out, Afro-Cuban Diasporas in the Atlantic World.

In the Mind of the Maker is a documentary by C.E. Richard, a fabulous filmmaker who I was lucky enough to study with at LSU. The film will debut internationally next year. Keep an eye on the website and check out the trailer.

Chicago tango dancer Katya Kulik has a short story called “Verify Your Humanity” on The Newer York’s Electric Encyclopedia of Experimental Fiction.

Karin C. Davidson’s two-part interview with Andrew Lam is up at Hothouse and it’s a must-read. Also, his Huffington Post essays.

One of my tango instructors, Ector Gutierrez appeared on Good Morning New Orleans with Katarina Boudreaux as his partner.

Joselyn Takacs is a finalist in Narrative Magazine’s Winter 2013 contest for her story “The New River.”

Lindsay Rae Spurlock has a new single on iTunes called “You, Baby.”

Missy Wilkinson received an award from the Council of Drug and Alcohol Abuse for a Gambit article she wrote on addiction as a brain disease. She also has an essay about being a in a cult over at xojane.com.

Mary McMyne has three poems over at Painted Bride Quarterly, two poems at Waccamaw, and one poem in The Way North, an anthology from Wayne State University.

Montana Miller has become an accomplished skydiver over the last few years and recently participated in some big-way formations, including the 125-way Perris Flower formation. In her message, she said, “On our second jump, though, when I had almost given up hope that we would ever manage to get everyone to perform their best at the same time, we actually did it! And not only that, we held it for SEVEN SECONDS, which is amazing.” Because of her consistent and stellar performance in formations like these, she was invited to participate in the Arizona Challenge, which I’m told is the most elite and selective skydiving event.

Maureen Foley’s book Women Float is available now.

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Kelly Harris has this great “What Are You Reading” post on Bayou Magazine‘s blog. Ted O’Brien from Garden District Book Shop has a “What Are you Reading” the next month. I love this series.

Speaking of Bayou’s blog, they also have a great review of the Sunday Shorts series co-hosted by MelaNated Writers Collective and Peauxdunque Writers Alliance. Over at the Peauxdunque blog, Tad was, as he always is with Peauxdunque news, very good at covering this series, which matched a MelaNated writer with a Peauxdunque writer each week for a month.  I’ll include some of my pictures from the series here.

Now You See Me, a film that consumed a lot of my time in 2011 and 2012, is out in theaters now. I met so many awesome folks on that show and have lots of great memories. Among my takeaways: several decks of cards and the ability to do a one-handed cut, which the magic consultant, David Kwong, taught me. At a friend’s bridal shower, I won a joke deck of cards, so what did I do? I proceeded to teach everyone at the shower the one-handed cut (and they all learned more quickly than I did). The multiple trailers leading up to NYSM’s release drove me crazy till I could finally see it, with a co-worker from the movie, the bride from the aforementioned shower and her now-husband. We had a lot of fun watching it together. Check out one of the trailers:

My aunt, Ruth Staat, completed her first 5K run/walk (in 18 minutes)!

James Claffey‘s latest publications include: fled the tightening rope at the For Every Year Project, green their dead eyes at Blue Fifth Review.

Lee Ware has a story up at Connotation Press.

Quite a few folks graduated or started school recently, which is really exciting. At UNO’s awards banquet, both Che Yeun (Ernest and Shirley Svenson Fiction Award for her story “Yuna”) and Maurice Ruffin (Joanna Leake Prize for Fiction Thesis for his collection It’s Good to See You’re Awake) were honored. Che is also the Stanley Elkin Scholarship recipient for the 2013 Sewanee Writers’ Conference. Maurice also has an essay about New Orleans East
over at New Orleans & Me.

The UNO MFA students and WWOZ have teamed up for UNO Storyville, recordings of the students’ true-life experiences in New Orleans. They ran a successful Kickstarter campaign to fund the project, so check it out.

Speaking of successful Kickstarter campaigns, let me tell you about three more. Mark Landry, a cohort from the Cinema Club (waaay back in my LSU years) and friends launched a campaign to put out a graphic novel called Bloodthirsty: One Nation Under Water. This is a truly fascinating project and I love that Mark lays out how it came together on the Kickstarter campaign page.

Summer Literary Seminars, which brought me to St. Petersburg, Russia in 2007, launched a campaign to publish LitVak, a collection of writing and photography from SLS faculty and students. They made their goal, so look for the anthology.

And last, Helen Krieger’s Kickstarter campaign for the second season of Least Favorite Love Songs is wrapping up in 37 hours. They’ve already met their minimum goal and then some ($7,000+ at last check) and they’re aiming for $10,000 so they can pay their crew a nominal amount. They have major swag at low contributor levels, so it pays to back them. You can watch all of season one for free here.

Whew! That’ll teach me to wait so long between brags!

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For the Love of Brag

These bragging on posts just might be coming more frequently because the folks I know are certainly not slowing down their achievements. While I wait to post one brag, most of these folks double-up with a second achievement. I just have to keep up!

Since last I bragged:

One of my 225 Magazine editors (and long-time friend and co-conspirator), Jeff Roedel, has a new(ish) Tumblr blog.

Terri Shrum Stoor’s essay “Bird Dog” has been published by Quarterly West as the nonfiction winner of their Writers@Work contest.

Tad Bartlett wears many hats (among them, Oxford American columnist), yet still manages to update regularly about the achievements and events of Peauxdunque members and Friends of Peauxdunque.

Among them is the news that the first season of Denise Moore’s Neutral Grounds is available now on YouTube.

Maureen Foley wrote a great blog post about motherhood and creativity, about her soon-to-be-born book.

Her husband James Claffey’s book of short fiction, blood a cold blue, will be published by Press53 in the fall. He also has stories published at: Matterpress, The Nervous Breakdown, the Molotov Cocktail, Bartleby Snopes and Pithead Chapel.

Following up a fantastic Tulane reading, Ben Morris wrote a hysterical essay for The Oxford American about his experience krewing this recent Mardi Gras.

Nick Fox has a great series of blog posts about his recent travels in South America.

Ronlyn signing a ton of books and hiding bookmarks inside!

Ronlyn Domingue recently promoted her new novel The Mapmaker’s War at Garden District Books. She gave out bookmarks that she made with Kathryn Hunter of Blackbird Letterpress, who created the illustrations in the book. The bookmarks are signed and numbered and I was lucky enough to get #1 of the set, which happens to be my favorite illustration! I think this is a unique way to celebrate the publication of the book. Yes, I’m a fangirl, of Ronlyn and Kathryn and letterpress art.

 

Passages North has published Karin C. Davidson‘s Waasmode Prize-winning story “We Are Here Because of a Horse.” Karin has also started a new interview series with Newfound Journal’s Hothouse. The first interview is with Yolanda J. Franklin. The second interview will be with Andrew Lam.

Andrew Lam judged the prize that I won last year. He has a new book of stories out called Birds of Paradise Lost and has been touring extensively. You can hear Flashpoints Daily Newsmag’s interview with him while you’re waiting for Karin’s interview.

Eritria Pitts performed a one-woman show on Valentine’s Day and recently performed again during a RAW Artists event. Also exhibiting at the event was Alex Harvie, another old(school) LSU friend of mine (one of his gorgeous paintings graced the cover of the issue of Delta Undergraduate Journal I edited). The Honorable South performed and there were so many talented artists there, filling Eiffel Society with their raw energy (see what I did there, hmm?). Helen went with me to the event and I took a great photo of her and Eritria together.

Helen Krieger and Eritria Pitts at Eiffel Society

Helen Krieger and Eritria Pitts at Eiffel Society

Speaking of Helen Krieger, there’s going to be an encore screening of Flood Streets at Buffa’s March 31st, at 6:30 p.m.

Harold Ellis Clark (Hal of WYLD’s Sunday Journal) was celebrated in NYC as one of two finalists for the 2013 Stanley Drama Award for his play Tour Detour.

Maurice Ruffin has three upcoming readings in the next week. The first is tonight, UNO’S Gold Room starting at 7:30 p.m. at Handsome Willy’s and will include other UNO MFA students. The third one is next Thursday at 8 p.m., the 17 Poets series at Gold Mine Saloon. The middle reading is part of the Tennessee Williams Festival, which started yesterday. Maurice and other members of the Melanated Writers Collective will read tomorrow night at the Literary Jook Joint, 8 p.m. at the M. Francis Gallery.

Speaking of the Tennessee Williams Festival, I’m super excited about the speakers and panels this year, all of which look excellent. A few of my mentors and friends will be appearing, including Moira Crone, Ava Haymon and Susan Larson.

My newest 225 piece is up, a story about John Biguenet’s Rising Water play cycle being performed in Baton Rouge, Lafayette and New Orleans this month. There’s a Tennessee Williams Fest connection here, too, because the New Orleans play, Mold, premiered this week at Southern Rep as part of the festival. The play will continue through April 14th. I’m looking forward to seeing it this weekend.

I really owe all of these people, all of my friends and mentors, a huge debt of gratitude. They actively make it difficult not to strive for excellence in what I do, because they are constantly achieving and succeeding and working.

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Filed under book news, bragging on, freelance work, Friends, movies, New Orleans, New Orleans Film Industry, pop culture