Tag Archives: Alexis Grace

Gotta talk about it…

Okay, so they need to rename American Idol “The Adam Lambert Show with Friends.” That’s incredibly rude to say, especially considering that the other four contestants are hugely talented. But it is true. Kris blew me out of the water with “Ain’t No Sunshine,” and Allison Iraheta is solid every week, doing her thing. But who can top Adam’s showstoppers?

If anyone else wins, it will be primarily because they’ve had to raise their game so much to match Adam and surprised everyone.

I mean, take a look at this latest, “Feeling Good.” Simon nailed it when he said that complaining that Adam is too theatrical is like “complaining that the cow moos.” That’s exactly what Adam is, theatrical and not afraid of it. He plays with whatever material he chooses to tackle, collaborates with the house musicians, packages himself and the performance in an always-memorable way. You have only to see his entrance on those stairs to feel like (and I’m borrowing a Paula-ism, but it’s true) you’re watching an Adam Lambert concert (event) rather than a talent show. I mean, was that a white satin suit he wore tonight? He was the exact opposite of Ryan as he stood next to him. Not many men can make eyeliner, falsetto and impeccable fashion sense as masculine and sexy as he can. I guess it’s the swagger.

Speaking of that falsetto, I must say that it is incredibly hard to hit the note Adam hit at the end, hold it as long as he did and then maintain that level of control when you’re coming down quietly. You don’t have to know anything about music to know that, but I know just enough to say confidently that it’s hard and not everyone would be capable of it. When the hell did he breathe?

I suspect the final three is going to come down to Adam, Kris and Allison. Although I enjoyed Matt Giraud tonight, I think he’ll be the next to go. Then Danny Gokey next week. He did well tonight, even with Jamie Foxx right in front of his face, but he’s a bit bland for me. I’ve heard folks predict that it’ll come down to Adam and Danny and that may happen. But my money’s on Adam and Kris at the end. Unless people assume Adam’s gold and don’t vote – the judges’ save is gone now, so he’d be toast. I highly doubt that’ll be the way of it.

Let us see. Only Adam (and Kris’s “Aint’ No Sushine”) could’ve made me watch again after Alexis and Megan left.

[4.28: This is ridiculous, but I was curious. The high note lasts at least 8 seconds with the controlled notes coming down lasting another good three or four before he can even think of breathing and surprisingly, the breath isn’t a loud heaving one. So hard.

I compared the different versions of “Feeling Good” I personally have after listening to Adam’s like 5 times straight through today. Recently heard an awesome cover from the Dark Was the Night charity album by My Brightest Diamond which owes a lot to Nina Simone’s version. While Adam’s version is not original – those edgy opening notes gave away his debt to Muse – he cut their 3:20 cover down to a 1:59 version that didn’t suffer for it. AND, that high note? His own, entirely. Muse’s is quieter and less showy. Gorgeous, of course, but not anything as oh-my-f’ing-gawd-how-did-he-do-that as Adam’s.]

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American Idol thoughts

I didn’t say anything last week after the results show because I was satisfied with Michael Sarver going home. That sounds kinda cold…well, it is cold. Here’s my problem with this season so far (as I realized last night). I think people are sticking around longer than they should based on their voices because they’re likable, have gotten air time because of their likability. Let’s face it. Michael’s a cool guy with some kids and a tough job – incredibly likable guy. Not a great voice compared to the others. Same with Scott and, as Paula calls it, his “challenge.” He’s blind – he seems like a great guy, I have tons of respect for his courage for doing a show like this, especially the group numbers at the beginning of the results shows. But his voice is boring to me and ditto his performances. There was absolutely nothing special about his “Just the Way You are.” It was decent, but absolutely nothing special. I don’t think I would be doing him any favors if I pretended to love his music just because he’s got a special challenge in life.

Alexis Grace going home pissed me off because she has a great voice. She struggled with one song, “Jolene” and went home. Folks – have you listened to “Dirty Diana” and “I Never Loved A Man”??? Don’t you want to know what she’ll do next? But how does a young mother with an awesome voice compete for likability against a blind guy and a roughneck daddy with okay voices? Everybody has kids this season: Lil Rounds (I cringed when Ryan picked up her daughter and handed her to Randy – but its horrific cuteness will probably save her after a wretched performance of “I Surrender”), and Megan also. Danny’s a widower, which they made a big deal out of for a while, but I’m relieved they seem to have let go of a bit. It’s a big deal to let us “get to know” the contestants because likability is a huge factor.

But it turns my stomach when it comes down to Allison being “the 16 year old,” Scott being “the blind guy,” Danny “the widower,” Michael “the roughneck daddy.” The contestants who’ve stood out to me did so because of amazing voices, incredibly strong or new performances.

I also hate that Alexis went home right after a lot of Internet speculation that the contest was rigged (as folks speculate it is every season). Maybe it is rigged and Alexis had to be sacrificed so that people would believe that it wasn’t… See how my conspiracy theory mind works? Honestly, I seriously doubt that AI is rigged because that would kind of defeat the purpose. And because the judges/producers (ahem, Simon) already do so much visible manipulation to try to save the contestants they think have what it takes. Anyway, if AI is rigged, how the hell did Taylor Hicks win?

Let’s talk about last night.

1. Kris Allen – Oh my. I was about to walk out the door for a volleyball game, almost decided to skip his performance. The first thing I said to my roommate when I heard he was performing, “Ain’t No Sunshine” (one of my most favorite songs ever) is, “Oh no, he could really screw this up.” I have 10 versions of this song in my iTunes and no matter how great someone covers it, it’s hard not to think of Bill Withers. And then Kris pulled some magic out of somewhere and presented me with an “Ain’t No Sunshine” I had never heard before and really, really loved. He changed up the phrasing, delaying that first “gone,” playing against expectations so beautifully to give us something new and special. Artistry, truly. Not that I didn’t miss Bill Withers’s rasp a little on the “I know, I know, I know, I know,” but Kris made this song so new and so current that it took my breath away. Now there are 11 versions in my iTunes and Kris has gone from “oh no” to “oh my.”

2. Adam Lambert – It’s an interesting week when Adam is second to somebody else for an original and experimental performance. I thoroughly enjoyed his “Play That Funky Music,” and think he’s a fascinating performer. But he did play second fiddle to Kris this week. Nobody could touch that final performance.

3. Megan Joy (Corkrey) – Really, really liked her “Turn the Lights Down Low.” She’s got a weird voice (which I love) and you can always tell it’s her singing. I think that’s an incredibly good thing. I still think she hasn’t picked one bad song. Not one. “Rockin’ Robin” was good for her and so was “For Once in My Life,” and if you don’t believe me, go listen to the studio versions. She may have had small stumbles in performance, but so has everybody and she is learning so much about how to hold herself on stage every week. I’m getting sick of “the new judge” Kara (it works both ways) spouting out, “Adele, Duffy, blah blah blah” after every performance. Yes, their songs will be incredible with Megan’s voice, but I like what she’s picking. I voted for the first time this season, trying to make sure that Kara and Simon don’t get her voted off.

4. Allison Iraheta – Gave me exactly what I’ve been asking for with the first section of “Don’t Speak” and then started screaming again. She’s got a great rocker rasp. I like her a lot. But I want more of the unplugged Allison singing softly. She proved to me that she can do it this week. Now I want an entire song.

5. Lil Rounds – Disappointed me with “I Surrender.” I thought if anybody could make me like a Celine Dion song, it’d be Lil. Nope. This song sucked. Lil can sing, I want her to give me a performance I like again.

6. Matt Giraud – I really liked his “You Found Me.” I kinda get what the judges say about his rock band songs (“Drops of Jupiter”), but then again not really. I enjoyed both of those performances and I like that he has dimensions – not just R&B and soul, but rock too. I thought it was a bit manipulative for him to play the piano in a sea of adoring girls, but that’ll probably work for him.

7. Danny Gokey – Liked his “What Hurts the Most.” Had no complaints, but it wasn’t my favorite. I think he picks the same kind of songs every week and that bores me.

8. Anoop Desai – “Caught Up” bored me and I forgot what he sang and had to look it up. I respect him for asserting exactly what kind of career he wants to have. But I’m not likely to buy his cds, maybe just buy a download or two.

9. Scott MacIntyre – You already know how I feel about “Just the Way You Are.” It’s hard to top the Piano Man and I don’t feel like he made it his own at all.

I’d like to see Scott or Anoop go. I’m afraid that folks will listen to the judges on folks like Megan and Matt (negatively) or Lil and Scott (positively). The judges supported both of the second two’s performances and I highly disagree. I’d like Lil to stay, though, because I like seeing what she does. So, in short, I’m not quite sure what’s going to happen tonight.

Know what else I’d like to see? Alexis come back. You think if the judges’ don’t use their save they can recall her, even weeks later? That would be lovely…

[Later 4.1.09 – I’m disgusted. Megan was voted off. Too bad it wasn’t an April Fool’s joke. Simon really pissed me off as well because he spoke for all of the judges without consulting them (as far as I could see) before Megan even performed. This whole judges’ save things has brought out a whole new rude side in Simon. I’d like to say I’m going to stop watching now and I probably won’t watch as often, but I am intrigued to see what Adam and now Kris get up to. And yes, Allison. Really liked her sweet vocals on the group number. But I don’t particularly care who stays or goes any more, am not invested. You know what would be nice? Besides Alexis and Megan coming back? They should have a duets week where nobody gets voted off so we can see how the contestants sing together. Could be cool. It was nice seeing David Cook back and I liked what he said about only selling 1,000 copies of his cd in a year before AI and going platinum in 3 months after. And Lady GaGa’s performance of “Poker Face” – looooved it, especially how her singing straight at the clear pink piano was a million times more demented than her regular performance.]

[Also, and I know this is random, but I noticed my last name in the AI credits tonight. Just looked it up and Laura Staat is a deko operator (whatever that is, sounds cool) on the show. Hmmm, wonder if we’re related. Also random – if you Google “American Idol” and Staat, my blog pops up on the first page of search results.]

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American Idol again

Okay, so I was still hoping that there’d be a, “hey, after thinking about it and letting her sweat, we decided to invoke the judges’ save and here’s Alexis…” all the way up to when Matt first started singing. Probably I’m in denial, but I still want it to happen.

I’m gonna rank my favorite performances from tonight. Megan Joy (Corkrey) is still my fav in the competition, however –

1. Adam Lambert – Holy shit. Just, like, holy shit. Seriously. He’s never been my fav – sometimes he strikes me as cocky and disingenuous. But I have never denied or been able to deny that he has voice and originality. After his take on Ring of Fire, I was flabbergasted. There aren’t words for his Tracks of My Tears. Smokey Robinson gave him a standing O. When he ended on that last “I need…” oh my. This performance was incredibly controlled (mostly in falsetto!), but I don’t think anybody could call it disingenuous.

2. Allison Iraheta – I have been begging for her to do something softer and more tender so that we can see that she’s a great singer with dimension to her voice. She didn’t exactly do what I’ve been asking for, but I feel like she gave me what I’ve been wanting with Papa Was a Rolling Stone. This kicked ass, it wasn’t screamy and those final notes… Loved Kara’s “It sounds like you’ve been singing for 400 years.” But seriously, the judges need to stop reminding us she’s only 16. It’s getting incredibly annoying. As they always say (before they say she’s 16), it doesn’t matter how old she is – it sounds like she’s been singing for 400 years.

3. Anoop Desai, Kris Allen and Matt Giraud – I couldn’t really pick between the three of them. They were all supremely excellent with Ooh Baby Baby, How Sweet It Is and Let’s Get It On respectively. Oh sooooo excellent, guys.

4. Megan Joy, Lil Rounds and Danny Gokey – I feel like all three of these performances had some really awesome moments but were generally a bit too frenzied or off in some way. For Once In My Life was a a good song for Megan, but she didn’t really nail it. Heat Wave really should have worked for Lil, but she was screaming and pushing for some reason. And Get Ready really worked for Danny, but was a bit campy.

5. Michael Sarver and Scott MacIntyre – They’re both just incredibly redundant to me at this point. I dig that they’re both nice guys and reasonably talented. I think they can both have successful careers and I’ll probably even download a song or two of theirs one day. But I very seriously doubt I’m ever going to want to listen to an entire c.d. straight through (let alone over and over) or attend a concert of theirs. I hope one of these two goes home and I think their performances of Ain’t Too Proud to Beg and You Can’t Hurry Love reinforce my prediction. I’d give them both up if we could have Alexis back – I can’t help wondering what song she would’ve picked for Motown week. 😥

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What a wonderful experiment… Redux

I had a bitty panic after announcing I’d essentially review the cds I bought blind from cdbaby.com. I’m in a place where I’d rather rave about the things I really like rather than spend time ranting about things I don’t (Crystal Skull is an important exception). So I thought, “What if I don’t like one of these cds, what am I going to do?” And purchasing four cds in a very random way seemed to pretty much guarantee I’d dislike at least one.

And I’m not exactly qualified to review cds in any way that pretends to be objective and technically informed (Dave tries, but I just like what I like, despite how great the production quality is). I mean, keep in mind that you’re about to read reviews by a person who tends to dislike one word song titles. Not necessarily the songs themselves. But one word song titles annoy me. They remind me of when I was writing poetry and when a title didn’t come naturally, I’d just slap one word on it that seemed evocative or, even worse, “Untitled.”

Luckily, I liked all of them (despite a plethora of one word titles). Some more than others, granted. But I don’t regret purchasing a single one. In the order I listed them before (i.e. alphabetical), drumroll please:

Aquaboy The World Still Turns Without You – I’m only just now, as I’m looking up links, realizing that Derek Buckner and Aquaboy are one and the same. I purchased TWSTWY because it was recommended if you like Beck, Wilco, Pavement and Air. And I do like all those folks. The title track is my favorite and also Mediocre Man. One customer likened them to the Beatles. Not really seeing that one, but I’ll vouch for the Wilco and Pavement.

Derek Buckner Symptoms – I saw Lucinda Williams in the recommended if you like and I was all in. This was an okay cd for me. Nothing, after repeated listens, has really stood out, but it was an excellent soundtrack for part of my recent road trip.

Sarah Burton Love Is For Pussies – This is recommended if you like Alanis Morissette, Sheryl Crow and Feist. While I like the first two ladies, I’m a big Feist fan so it was that and the title that struck me. Sarah Burton is probably a compulsive self-Googler (important for an indie musician, in my opinion) because she contacted me the same day I posted about the experiment. On the previously referenced road trip, I was writing the review for her cd in my head. I really like Sarah’s voice, but I’m left hungry by this c.d. It’s not a full meal, but rather an appetizer. In the best sense, it whets your appetite for more and I’ll definitely follow whatever she does next. I think she can ditch the first version of Barcelona because it felt a bit jerky and loose to me whereas the extended flamenco version settled those issues very nicely. Also liked I Hate You quite a lot. Every time I’ve listened to this EP, I’ve liked it more and more, heard something new each time.

Tiffany Randol Kiss Me Kiss Me – Recommended if you like The Cardigans, Regina Spektor and Feist. Then compared to June Carter and Kate Bush. The cover art is a tad reminiscent of my favorite Suzanne Vega cd, Nine Objects of Desire and I wouldn’t say it’s inappropriate to compare Randol to Vega. If I had to pick a favorite of the four, this would be it. Loved every second of this too-short EP. I would recommend it enthusiastically.

So cdbaby – let’s do this again. If you ever need someone to test whether your “recommended if you like”s work, please feel free to send me cds. Or if you’re dying for some really random, entirely subjective reviews…

Now, in other music thoughts.

So, I’ve been really struck by those great Liberty Mutual ads, especially the music. I took a sec to try to find out about the songs in the ads and I’m a bit embarrassed because all of the songs are already in my iTunes. They’re all the work of Hem, a band that Dave turned me onto a while back. Then, I found this really wonderful piece where Mary Chapin Carpenter talks about the ads and Hem for The Washington Times.

And it probably goes without saying that I’m pretty devastated that Alexis Grace got booted off. I have to say that I don’t think that her performances of Jolene proved that she should’ve been given the judges’ save. The entirety of what she’s done on the show does. Part of me keeps hoping that it’s not too late and they’ll change their minds and save her. Why not? This season’s been incredibly wacky anyway. Regardless, I look forward to seeing what she does next.

I felt like Randy Travis was rather wasted in that duet with Carrie Underwood, but I was in love with it anyway. Her voice when she belted out “I told you so.” Wow. It was incredibly cute the way Randy Travis kept looking at her adoringly while she sang. If you don’t believe me, watch this. Didn’t know this song existed before and now it’s in regular rotation – and I still get chills every time.

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I’m curious…

I missed AI last night (out having a real life) and caught up the only way I could (listening to the performances without video on YouTube and reading recaps about the judges’ comments). And I’m curious to see if I can still predict who leaves today.

Going home: Michael Sarver or Scott MacIntyre. Probably Michael.

Judges got it wrong: Loved Lil Rounds with “Independence Day.” She’s always been solid, but she hasn’t really gotten my attention before this. I thought it was a great performance, solidly country but still her own take. Adam Lambert with “Ring of Fire.” Ditto as Lil Rounds. I’ve always known he’s a good solid performer, but he’s not my favorite. I’ll give him this, his performances are *always* completely original. He really does his own things with the songs. It might not be Simon’s style, but it was definitely risky and creative. And it sounded amazing.

Lovin’: Anoop Desai and Matt Giraud and Kris Allen. Great performances.

Alright now: Danny Gokey and Allison Iraheta, great solid performances but they are not surprising me. I just wish they’d mix it up, surprise me. Danny should sing something about bitter, dark hearbreak and not something tender and inspirational. Allison should sing something tender and soft and show us that her voice has dimension, that she’s not just a rocker chick. Sure, being true to yourself is great, but I can honestly say I wouldn’t listen to an entire cd or concert of theirs if they’re only going to sing the same type of songs.

Still loving: Alexis Grace and Megan Corkrey. It helps that they both sang songs I know well and really love. Though not terribly surprised that Alexis sang “Jolene” – because it’s a great song for her. She didn’t quite do with it what I know she can. Megan sang sick, had a couple of rocky notes, but did a really nice “Walking After Midnight.”

So let’s see how my predictions turn out…

[3.23.09: I did a very bad job of predicting this one as half of my favorites group went home. Put out a cd Alexis. Like, right now. I’ll buy it. Just like I’ll see Kherington in the remake of Fame.]

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American Idol predictions

I can’t promise I’ll do this every week, but gonna make some AI predictions.

Going home: Jorge or Jasmine. She looked gorgeous, but she’s not ready for this. Sucks cause everyone else is pretty freaking awesome.

Surprised me (pleasantly): Kris Allen. He rocks. And I think he handled Simon pretty well, though I suspected he wanted to beat the crap out of him for the, “Wouldn’t have brought the wife out just yet” comment. Anoop did a pretty good job, I thought, but got trashed by the judges. I always enjoy Matt when he’s singing, but I never remember him.

Not surprising me (unfortunately): Allison Iraheta. She needs to sing something soft next week, to show us she’s not going to be screaming every week. Love her, but we need some variety. Scott can sing, but he’s singing the same stuff I’m not terribly interested in every time. Like Michael, but he doesn’t have a lot of variety either.

They rock, but not my favs: Lil Rounds, Adam Lambert and Danny Gokey. Not worried about any of them.

My favorites: Megan Corkrey and Alexis Grace. Megan looks like she has a lot of nervous energy onstage and physically does the same thing every time. Hasn’t mattered to me one bit cause I love the sound of her voice and I don’t think she’s picked a single bad song. Alexis has got it all. I’m worried she’s pulling a Kherrington (my fav from SYTYCD) and getting cocky. But I loved “Dirty Diana,” especially when she belted out, “make me a star!”

[3.12: So they sent two people home – Jorge and Jasmine, both of the two I said were in danger.]

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A yummy all-media post

Going back to one of my favorite things to blog about – media. Yum.

Let’s start with movies. In a distant time and place (okay, say for a while before spring 2007 and in Baton Rouge), I used to have a Sunday-movie tradition that got disrupted by graduation, my European tour and moving to New Orleans. I re-established it with Confessions of a Shopaholic. I haven’t read the books, but I did enjoy the movie. I remember reading somewhere (EW?) a review that questioned whether big-spending would go over well with a recessed audience. But I think some of the messages of the film – don’t count just on material possessions, credit cards and debt collectors are the devil – is all the more poignant because of this recession. Isla Fisher is amazing and I always love Hugh Dancy (oh yes, I do), so even though I felt like the romantic elements were a little rushed, I still believed them cause the actors are awesome at what they do. I love that Isla Fisher is such a physical comedienne, which is reminiscent of the best of Debra Messing (I’ve been a fan since 1998’s 13 episodes of Prey, which was NOT comedy) and, even better, Lucille Ball (who I’ve been compared to in my dizzier, hopefully more brilliant moments).

Now let’s talk t.v. I think I’ve come out as an American Idol fan before and if I haven’t, I suppose this is my big confession. I started watching a few seasons ago and probably got hooked cause it was fun to watch with my neighbors and friends. Now I’m just hooked. The good, the bad, the ugly, I’m there. Sad to say. I am more reluctant and less enthusiastic about the early train-wreck auditions, if that does make you feel any better. Enough defense. 🙂 So far, though this season is definitely weird, I’m entirely satisfied with the first six going through. I looooove Alexis Grace and Allison Iraheta really blew me away (she wasn’t really on my radar before her performance). However, if anybody is reading this, I do hope this is heard – Megan Corkrey and Stevie Wright MUST, must, do you hear me, be wild card picks for the top 12. I’ll tell you now, I don’t care what happens to Megan Corkrey on this show – I will buy any c.d. she puts out. I love her voice. It’s probably too early to say the word “favorite,” since I haven’t even seen 12 people perform and I do love some others, but… Predictions for the three picked from this last set of 12 (really, AI, confusing) are: Scott MacIntyre, Lil Rounds and let’s say…Alex Wagner, but I remember liking Kendall Beard, too. Let’s see what happens tonight.

[3.6: I must’ve had a premonition that they’d pick four contestants, rather than just three. And I was right about two of the last set of three before the wild cards. That was a pretty easy call, though.]

More t.v. Can I just say that, after catching up with all three episodes of Dollhouse so far, I am a BIG fan. No, I won’t be staying in on Fridays to watch it, but YES, I will watch it. Hear that, Fox peoples? Let’s have a deal here and now, between you and me. I will watch it, do not cancel it. But then, I knew I would love it, since I do love my Joss Whedon (insert collective sigh for Firefly here). Big fan of Eliza Dushku, too (in part thanks to Joe, love you dear). This show is smart, funny, addictive. And it’s slick and pretty. Has all the best elements of classic Whedon, also reminds me of Alias a bit (which is great as J.J. Abrams is another big love of mine). I think, honestly, it would’ve been paired better with Fringe than The Sarah Conor Chronicles (Fringe has a strong, kick-ass woman lead, too and my mamma mia! and I text throughout the episodes), but maybe the Fox folks felt that was too much science and technology and weird conspiracy for one night. I will bow to their greater knowledge of these things – provided they don’t cancel either Dollhouse or Fringe. Have I revealed yet just how big of a dork I am?

Now, books. Reading this cool French girl-adventurer book called The Princetta (and the Captain, apparently). It’s massive and translated and really, really good. Just finished a fun (if a bit weird with the Brit-infected “New Yorker” main character) book called Me and Mr Darcy. Not as good as Austenland, a bit too reminiscent of Bridget Jones, but fun nonetheless. Also, while I’m always a big fan of Sarah Dessen, I was blown away by Lock and Key. Even wrote the author a very personal fan letter.

And something I’ve been wanting to blog about for a few weeks. Let’s see if you can follow this. In a distant time and place (okay, circa 1996 as far as my documents certify and in Georgia), I started reading an author named L.J. Smith. I became a BIG fan, getting involved in a massive fansite online (remember in my first blog when I talked about first engaging in an online life?) called The Night World, which was devoted to all of her books. She wrote several trilogies and a quartet of books (after two linked stand-alones) before beginning a longer series called The Night World, which was supposed to be 10 books long, the last of which, Strange Fate, would be released right before the new millinnieum (which featured in the series). However, due to mysterious illnesses and etc., the book’s never been released. Now it’s 9+ years later and, to my knowledge, the book’s still not out. She’s reappeared, writing under the name Ljane Smith and according to her website, she’s still writing Strange Fate. And coolest of all, as I discovered while at my not-so-local bookstore (I was in Baton Rouge), her series’ are being re-released, omnibus style!! There’s lots of L.J. (as I’ll always know her, short for Lisa Jane) news lately, actually. The CW is apparently creating a t.v. show from The Vampire Diaries. It has a lot to do with the success of the Twilight books and movie, almost certaintly, but these books pre-date all that and rock in their own right. As I said in my comment responding to this piece on Pretty Scary. However you get into L.J. Smith, get into her. I love these books. They predate when I was educated about writing (and judgmental) and just enjoyed books for all their cheesy potential (see: Dean Koontz). And you know what? I was a kid when I read L.J. Smith and Dean Koontz. And all these years later, I still get crazy excited about them, still enjoy their books. So that must say something… Can you tell me what? 🙂

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