Tag Archives: Castle

Emilie’s 2011 Best List

Each year, one or two categories are really easy while others are really difficult. Books will be fairly easy, movies much more difficult. Here we go…

Books:

Because I did my Quarterly Reading Reports, it’s a bit easier for me to pinpoint which books stuck with me all year long. The surprise for me, considering how slow I am when reading nonfiction, is that almost half of my best books of 2011 list are nonfiction titles.

1. House of Prayer No. 2, Mark Richard

2. Across the Universe, Beth Revis

3. Whip It, Shauna Cross

4. The Invention of Hugo Cabret, Brian Selznick

5. Eat, Pray, Love, Elizabeth Gilbert

6. The Southern Cross, Skip Horack

7. The Devil She Knows, Bill Loehfelm

8. Matched and Crossed, Ally Condie

9. The War of Art, Steven Pressfield

10. Knowing Your Value, Mika Brzezinski

Notables include Ally Carter’s Gallagher Girls and Heist Society series, Twenty Boy Summer by Sarah Ockler, Jenny Han’s Summer trilogy, Before I Fall by Lauren Oliver.

Movies:

This list is a little longer and includes movies I saw in the theater and watched on DVD (or streaming).

1. Country Strong

2. Daydream Nation

3. The Adjustment Bureau

4. Wild Target

5. Bridesmaids

6. Elvis & Anabelle

7. Winter’s Bone

8. Super 8

9. Hanna

10. HappyThankYouMorePlease

11. Hugo

12. Our Idiot Brother

13. Stupid, Crazy Love

14. Circo

15. War Horse

My list includes one documentary and two others that I really enjoyed were Exporting Raymond and Pom Wonderful Presents: The Greatest Movie Ever Sold. A few films that were far better than I anticipated, rising above their genres should also be noted: X-Men First Class, Rise of the Planet of the Apes and Cowboys & Aliens.

TV

1. How I Met Your Mother

2. 2 Broke Girls

3. Raising Hope

4. The New Girl

5. Castle

6. Falling Skies

7. Downton Abbey

8. So You Think You Can Dance

9. Dancing with the Stars

10. Survivor

Notables include Bones, In Plain Sight and Psych of course, Storage Wars, Terra Nova, Suburgatory and Community (which I got into late this year), as well as wonderful cancelled shows I streamed on Netflix: Party Down, The Unusuals and The Good Guys.

Music:

Albums –

1. Adele’s 21

2. CAKE’s Showroom of Compassion

3. Christina Perri’s Lovestrong

4. Jenny Owen Youngs’ Batten the Hatches

5. Lissie’s Covered Up With Flowers

Singles (not from any of the above) –

1. The Generationals “Ten-Twenty-Ten”

2. Kid Cudi “Pursuit of Happiness”

3. Lil Wayne “How to Love”

4. Michael Franti & Spearhead “Say Hey (I Love You)”

5. Timothy Bloom & V. Bozeman “Till the End of Time”

On any other day, I might give different answers, but as of this moment, this is my 2011 Best List.

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You Are Lucy and I Am Charlie Brown

“This time, you can trust me,” Lucy says to Charlie Brown, enticing him into their eternal battle of wills – kick the football and I won’t pull it away this time, I promise.

I love t.v. I love narrative in general and I get hooked into the story structures of t.v. shows over and over and over again. Even a “reality” show like Survivor has all the classic story elements that I crave and enjoy.

But I have been frustrated more and more the last few years. Here’s why:

– I have a busy schedule and like most people my age, I can’t be locked into watching a t.v. show at the same set time every week. Luckily, most shows are available online within 6-12 hours (sometimes a full day or week) later and I catch up with my “stories” when I have the time, which is often just a few hours or maybe a day or two after the original airing.

– The online viewing model seems to me an excellent one. I am still viewing advertisements, which should still be paying for the shows. In fact, I feel that I’m a more captive audience for online ads than the ones on my t.v. because I tend to walk away from the t.v. during commercials. I am watching the show at my convenience. Excellent, all around. But I’m not sure the Nielsen rating system is still in any way an accurate schematic (I don’t know how it could be) and to my knowledge, nothing else has replaced it. So how do networks know what shows I’m giving my loyalty and attention to? Theoretically, they should be able to track the downloads and online viewings, right?

– Yet, some of my favorite new shows are consistently getting canceled, sometimes mid-season or after only one season. This breeds a vicious cycle that makes me and other viewers wary of investing in new shows. Why care about characters that might suddenly disappear, give our attention to stories that will remain unfinished? But what are a studio’s “obligations” to the viewers of its shows? I feel like a full season should be a standard network-viewer “contract.” Promising shows should really get two seasons to build their audience. Yes, it’s expensive. However, as far as I’m concerned, so is my time and my attention.

You might ask what has brought about this rant. Monday, the list of canceled t.v. shows was disseminated. First, it includes 32 shows across the networks, which is quite a lot. Also, it features some great new shows that I feel weren’t given a solid chance. Last, there are many shows on this list that I thought were already canceled several months ago because of reports I’ve read in the past.

I’ll break down the list for you.

Canceled shows I didn’t invest in because I figured they’d be canceled:

Better with You, Mr. Sunshine, Off the Map (ABC); Perfect Couples (NBC)

Shows I might’ve watched, but thought were already canceled or off the air ages ago because of reports I read, so clearly their networks were not doing a whole lot to support them:

My Generation, Detroit 1-8-7, No Ordinary Family, V (ABC); The Event and Outsourced (NBC); Lone Star and Running Wilde (FOX); Life Unexpected (CW)

Canceled shows that had a really solid chance to build their audience (regardless of how you feel about the quality of the shows and their demise):

Brothers and Sisters (ABC); Friday Night Lights (NBC); Human Target and Lie to Me (FOX); $#*! My Dad Says (CBS); Smallville (CW)

Canceled shows I’d watch if they were given a second chance:

Detroit 1-8-7 (ABC); The Event (NBC)

Canceled shows I’m really pissed about because I’d invested in them:

Breaking In and Traffic Light (FOX)

FOX has long been guilty of creating pretty good shows and then scrapping them before they’ve had a solid chance, in my opinion. Keep in mind, FOX also airs two of the shows I talk about most, American Idol and So You Think You Can Dance, but those are reality competitions and I don’t know that FOX has worked out their dynamic for scripted dramas and sitcoms. Out of all the networks on the list, FOX is canceling the most good shows, I think. Many on the FOX list had a good chance to sink or swim, but I think Breaking In and Traffic Light should be given more time. They are both hysterical half hour ensemble sitcoms, which I think we need more of on t.v. Good ones, that is.

So what are the networks gonna do next season? Give us 50 new shows, two thirds of which they’re prepared to sacrifice if we don’t invest quickly enough? Break our hearts again? Yank the football once more before we can kick a good, solid field goal? FOX, as well as all the networks, needs to create good shows and then stand by them. Have some faith in what you create, Networks.

Now, on to the slightly related topic of the Castle finale, appropriately titled “Knockout.” How is this related to my giant rant above? Well, first of all, it’s still about t.v. Second of all, one of Castle’s stars, Nathan Fillion was in not one but two shows that fell victim to FOX’s wishy-washiness (Drive and, ahem, Firefly, anyone?). Third, the finale happened to air on the same day the canceled show list was disseminated.

Castle is a fun, gripping show, a worthy vehicle for Nathan, finally, at long last, hallelujah, on a network that will support the show and create interest with tie-ins (novels, graphic novels, etc). It’s one of my favorite shows, especially because it has such a great cast and also all the qualities I loved about Bones in the earlier seasons. I’m still watching Bones because I love the characters, but it’s lost some of its sheen.

One of the elements I like best about Castle is that it is unafraid to be cheesy and emotional and sometimes feels like a sitcom wrapped up in a drama. This feels like old-fashioned, classic t.v., even while it is cutting edge. So it shouldn’t surprise me that every part of Castle‘s Season 3 finale felt inevitable in that way that good storytelling always feels. While the storyteller in me can appreciate the Castle finale’s unflinching and yes, even cruel twists, the viewer in me feels absolutely shellshocked, almost betrayed. And pissed. Pissed that they punched me the guts like three times in an hour and then walked away for several months, leaving me nursing my wounds and dying for more.

But you know what? You better bet I’ll be tuning in next season. And for that, I must congratulate them.

For a moment at the end of “Knockout,” in light of the canceled show list, I was very afraid that this was the end, that Castle was one of the unlisted “bubble” shows and it might not be back. I had to remind myself that it’s a popular show and that ABC has just as much invested in it as I have invested (some would say more). But that fear, that paranoia, is the best example that I can give you of what the networks have done to us with their “yanking back the football” behavior.

Should I, like Charlie Brown, continue to trust all the Lucys promising me big and then yanking it all away? Despite all the times that I have been burned and lost “stories” that I loved, should I trust the networks? Like Charlie Brown, I hate looking stupid by falling for it again and again, but just like him, there’s no other choice for me. I love stories too much not to take the kick of faith every time.

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Emilie’s 2010 Best List

I’ve been thinking about this post in the back of my head for the last few weeks. And now it’s come time to look back at my favorites of the year…

Books are pretty easy because I read fewer books this year than…ever. At least, any year since I’ve been keeping track and that’s a decade’s worth of reading. The last time I read fewer than 100 books in a year was my second year of grad school and I read considerably fewer than 100 books this year. So my quantity was down, but not the quality – a read quite a few books this year that I’d had on my to-read list a while.

1. Kai Meyer‘s The Dark Reflections Trilogy and most of The Wave Walkers Trilogy
2. Rebecca Cantrell‘s A Trace of Smoke
3. Audrey Niffennegger‘s The Time Traveler’s Wife
4. John Kennedy Toole‘s A Confederacy of Dunces
5. Alice Sebold‘s The Lovely Bones
6. David Madden‘s Abducted by Circumstance
7. Mary McMyne‘s Wait. (manuscript)
8. Suzanne Collins‘s last Hunger Games book Mockingjay
9. M.O. Walsh‘s The Prospect of Magic
10. Stieg Larsson‘s Millennium Trilogy (still working on the last, The Girl Who Kicked the Hornet’s Nest)

In the interests of full disclosure, I have some reservations about labeling some of these “best,” as I had some issues with a few of these books – notably Stieg Larsson’s books and The Lovely Bones – but they are unconditionally the ones that I invested the most time in, spent time thinking about. And there are some absolutely stellar BEST books on this list. And, of course, I read dozens of short stories through my work with Narrative, several of which I’d love to put on a best list, but can’t disclose. Interestingly, there’s no non-fiction on my list this year.

I actually saw quite a few movies in the theater this year, or maybe they stand out because I quite liked so many that I saw there. Rentals were often disappointing – slightly better than I’d expected or boring or not as good as I’d heard. So this is tough, but the movies I enjoyed the most this year:

1. Harry Potter and the Deathly Hallows Part 1 (I have to do it, it was so good…)
2. Inception (I saw it 3.5 times in the theater)
3. Toy Story 3 (Pixar has always been really smart with these sequels)
4. Easy A (it was as funny and good as my favorite 80s comedies)
5. Red (it was like Sneakers jacked up, so of course I loved it)
6. Exit Through the Gift Shop (of course, it’s about Banksy)
7. Going the Distance, Get Him to the Greek (a tie)
8. Twilight: Eclipse and How to Train Your Dragon (a tie)
9. Nine (I love musicals)
10. The Kids are Alright

Honorable mentions: Last Station, Hereafter, Black Swan, True Grit, Despicable Me, The Ramen Girl, St. Trinian’s, Dr. Horrible’s Sing Along Blog, The Young Victoria and Coco Before Chanel.

TV had to take a serious back burner this year because I never knew when I’d get home from work and had so much going on. This list is basically comprised of the shows that I kept up with in the chaos. Also, it should be said that I watched every episode of Law & Order SVU through Season 10 this year.

1. So You Think You Can Dance
2. Survivor
3. Castle
4. Glee
5. Raising Hope
6. Dancing with the Stars
7. United States of Tara
8. How I Met Your Mother
9. Bones
10. Fringe

My super notables:  The Tudors, In Plain Sight and 30 Rock.

I might go so far as to say that music was one of my biggest influences this year. I probably went to more concerts this year than I have every other year combined. Because my favorite songs are generally still my favorite songs from last year and the year before (with a few new exceptions), I’d much rather outline the best concerts of the year and the cds that I’ve been listening to obsessively.

CDs:

1. Lissie‘s Catching a Tiger, as well as her EP Why You Runnin’
2. Roisin Murphy‘s Ruby Blue
3. Mark Growden‘s Saint Judas
4. The Dresden Dolls‘s Yes, Virginia…
5. Black Gold‘s Rush

Shows:

1. Dresden Dolls at Tipitina’s in New Orleans
2. Black Gold at Howlin’ Wolf in New Orleans
3. Citizen Cope at Howlin’ Wolf in New Orleans
4. Simon Lott at Hi Ho Lounge in New Orleans
5. Mark Growden at Circle Bar in New Orleans

I think that just about covers the highlights of 2010, so all that’s left to say is Happy 2011!

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Rabid

Sunday is often my catching up with tv day (after volleyball). And that’s what I did.

I’ve become rabid about two new shows – Dollhouse and Castle. Just found this article about the campaign to save Dollhouse that started before the show ever aired. Let’s just say us Whedonites are nervous nellies (justifiably, I think).

Basically, my thoughts echo the title of this discussion thread: Fox – Don’t You Dare Cancel Dollhouse. But ABC, you consider yourselves similarly addressed regarding Castle.

I’ll burn a cd of my favorite music for the person who can best describe the link between Dollhouse and Castle (and the constant fear of their cancellation) to my amusement and satisfaction.

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