Tag Archives: Elinor Lipman

2013 Q4 Reading Report

My last quarterly reading report of 2013! I read so many great books this year and I’m in the middle of several more amazing books, so I know the first quarter of next year will be strong. Plus, I have plans for an awesome reading project, which I think you’ll all like.

October

Son of a Gun, Justin St. Germain – This book, about St. Germain’s emotional investigation into his mother’s life and death, as well as gun violence and machismo, was absolutely haunting. St. Germain takes an intensely personal story and turns it into a revelation about human heart. But the most impactful part is his willingness to say, “After all of these questions, I don’t really have answers.”

Poison Princess, Kresley Cole – I was completely surprised by this first book in a new series for teens. It spends such a long time as a relatively “normal” tale of teen life and then becomes a stunning post-apocalyptic tale.

Men We Reaped, Jesmyn Ward – This book is another example of how to transform personal stories and history into a universal revelation, putting personal faces to the argument that systematic poverty and criminalization haunts young black men, their families and communities. Ward’s writing is evocative, emotional and convincing. Everyone should read this book.

Too Good to Be True, Benjamin Anastas – I was blown away by Anastas’s ability (and willingness) to depict his rock-bottom experiences so bravely, with humor and openness. For a student of the memoir genre, which is what I’ve been this year, I couldn’t have asked for a better example of turning a small, humble recovery into brilliant revelation.

I Can’t Complain, Elinor Lipman – After some pretty dark reading this month, Lipman’s funny and short essays were the perfect remedy.

November

The Family Fang, Kevin Wilson – There are a few people who, when they recommend that I read something, I immediately put it on the top of my list. Okay, there’s 3 people. One of them, Maurice, recommended that I read this ridiculous, hysterical, searing book about an odd family of performance artists. I didn’t read much fiction this year, but I’m glad I made room for this book.

Endless Knight, Kresley Cole – I’m always impressed by authors who can take what seems to be a relatively limited premise and create a series of twists and redirects that feel both surprising and inevitable.

I Wear the Black Hat, Chuck Klosterman – Funny, dark, twisted and thought-provoking, these essays take a very open, blunt look at the nature of evil, the faces of it and our perceptions of it. I was continually impressed by the mental gymnastics Klosterman leads his reader through.

Mud Show, Edwin Martin & Don E. Wilmeth – During NaNoWriMo, I found this book an invaluable resource to help jump-start me back into the world of my novel. The book includes an essay and a collection of photos from several tent circuses during the 80s.

Carry On, Warrior, Glennon Doyle Melton – If there’s a theme to the nonfiction books I’ve read this quarter (and maybe all year), it’s “when things aren’t all right, here’s how I figured out how to be all right.” That’s pretty much this book. Doyle Melton does what the other authors on this list have done, bares her personal shames and mistakes and shows how she turned them around for herself. Despite some dark subject matter, the tone is light and humorous.

Coming Clean, Kimberly Rae Miller – I was absolutely blown away by Miller’s honesty, her ability to discuss being raised by hoarders, her ability to write about her parents and the way they lived with compassion and love, for them and for herself.

Innocence, Dean Koontz – I got my hands on an ARC of Koontz’s newest and dug straight in. I’ve been a Koontz fan since I was 10 years old – I credit him and his books with being my first teacher/lessons in writing. This novel reminded me so much of the early Koontz books that I loved as a kid, but conscious that the world has been influenced by Law & Order and The Girl with the Dragon Tattoo.

December

“The Princess and the Queen, or the Blacks and the Greens,” George R.R. Martin, in Dangerous Women –  I’m desperate for the next book in the Song of Ice & Fire series, so I ripped right into this novella at the end of Dangerous Women, edited by Martin. The rest of the stories in the collection look very good, but I had to make this one my priority for the moment. The story is a prequel to the events in the Song of Ice & Fire series, written like a history text, and absolutely consuming.

Survival Lessons, Alice Hoffman – I’ve been a fan of Alice Hoffman most of my formative years, so I was intrigued to read this short text on grief and recovery. All of the “advice” is coming straight from a writer, so creativity in the wake of devastation is the real point, in my opinion.

I Am An Emotional Creature, Eve Ensler – These monologues are directed toward young women/girls, using their own voices. Sometimes I found them blatantly melodramatic, but I reminded myself that I’m not the ideal audience for these. My 12-14 self is, though, and I found much of this book spoke to her directly.

To be continued in the new year…

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Reading in Q2 – April

Last month, I started a new tradition here on my blog. Quarterly reporting of my reading. I enjoyed doing the post so much AND I “read” so many audio books in April that I decided to go ahead and report on April’s reading.

The interesting thing about this month’s reading and the very reason I was able to “read” so many audio books was I took a job as a film courier. If you follow my Tweets, you might’ve noticed me referring to the “Great Louisiana Tour,” and this job is what I was talking about. What it boiled down to is that I was driving between New Orleans and Shreveport and back every weekday, about 11-12 hours of driving. So I could listen to one or sometimes two audio books each day/trip.

This month’s edition of the reading quarterly report will essentially be a review of audio books. I only actually read two physical books this month, in fact, and all the rest were audio books I listened to while on this epic journey. Epic is the right word because I drove just over 11,000 miles in just over three weeks.

With no further ado, the reviews…

Life Expectancy by Dean Koontz and read by John Bedford Lloyd – I’ve been reading Dean Koontz since I was 10, though I’ve missed out on some of his newer books. Since I’m so familiar with his writing voice, but hadn’t read this book, it seemed like the perfect audio book to start with. And it was. It was really charming, sometimes hokey, and thoroughly listenable.

Dear John by Nicholas Sparks and read by Holter Graham – I’ve never read any Nicholas Sparks before, but this book was recommended to me and I was so desperate for entertainment during my drives that it seemed like a good way to get introduced. I was intrigued that the book is told more from the male character’s perspective since the movie is mainly from the female character’s perspective. However, I really hated the character of Savannah and I don’t think it helped that Holter Graham made her sound like Peggy Hill.

How to Be Popular by Meg Cabot and read by Kate Reinders –  This was a cute young adult book and it was perfectly read. I feel like this was one of the best examples of the right reader really bringing a character and a story alive in this format. The premise was ridiculous, of course, but it was hard not to invest anyway.

50 Harbor Street by Debbie Macomber and read by Sandra Burr – I used to read Debbie Macomber books years ago, but haven’t for a long time. I picked this one up at random and quickly realized it’s in the middle of a series. There were so many characters, so I have to give the reader props for bringing them all to life, but it was hard to really care about what was going on. By the time I plugged into a story line (one among many) that interested me, the book was over. None of the rest of the series was available on audio at my library, so I moved on.

My Latest Grievance by Elinor Lipman and read by Mia Barron – This one is a great example of the perfect reader bringing a great book so completely to life. I was only sorry I couldn’t get more Elinor Lipman books on audio through my library because I would’ve listened to all of her books after finishing this one. I loved the story and characters so much I didn’t want to leave the world of the story.

Which Brings Me to You by Steve Almond and Juliana Baggott read by Kirby Heyborne and Renee Raudman – This is a “novel in confessions,” going back and forth between a male and a female character. I think the audio would have been done a great disservice if it hadn’t been read by both a man and a woman. And they were both good, as were the separate writing styles of Almond and Baggott. I was so entertained and moved by the “confessions,” yet was dying to know what would happen. While I’m not sure the end is quite as strong as I would’ve liked, this is an audio I’m glad I listened to and would read the old-fashioned way: myself and a book.

Big Boned by Meg Cabot and read by Justine Eyre – Pretty quickly, I realized I wasn’t listening to a standalone or the first book in a series. It’s actually the third in a series. But I decided to listen anyway because I was enjoying it so much and if the others were available on audio, I decided I’d listen to them backwards. This one was just great fun. Silly sometimes, but in the best possible way. Heather Wells as portrayed by Justine Eyre was good company on my drive.

The Invention of Hugo Cabret by Brian Selznick and read by Jeff Woodman – This was one of my favorite audio book experiences during the whole road trip/audio book experiment. It was like an old-fashioned radio play with French flare mixed with the feel of classic fairy tales. There were sound effects and the reader was amazing. Plus, the story was brilliant. This one, too, is a story I want to read for myself – partly because I suspect there were illustrations I was missing out on. I almost cried at the end and immediately started making a list of the kids I know who are getting this audio for Christmas.

Julie + Julia  written and read by Julie Powell – This was a book I was curious about, especially after seeing the movie, but wasn’t sure I wanted to invest my time reading. So, the audio seemed perfect because I was desperate for entertainment. But the audio ended up being perfect because Julie Powell does an amazing job narrating her experience. It was so vivid! I went through everything with her. There was even a little interview segment at the end, which I enjoyed.

True Grit by Charles Portis – This was one of the two books I read this month the old-fashioned way. It’s a slim, fast read but I took my time with it since I didn’t have a ton of time to read and I was already inundated with story. The character of Mattie Ross is so compelling. Annoying and amusing, charming and heartbreaking. I loved her. I wanted to be her. I never wanted to be her, ever. I quoted her and talked about her. And this was a revelation after growing up with the John Wayne movie version and liking the more recent one when I saw it with my parents. But the book… oh, the book… In the midst of my phenomenal audio story experience, I’m glad this was the one I held in my hands and curled up around.

Eat, Pray, Love written and read by Elizabeth Gilbert – I could almost duplicate my review of Julie + Julia here, except I was really just as reluctant to read this one as I was intrigued. It seemed so shallow and self-absorbed from the hooplah around it and yes, from the movie, which I liked alright. But nothing can compare to Elizabeth Gilbert reading her own story, consciously investigating selfishness and self. I think I might’ve misunderstood her or disliked her if I’d read the book myself. But it was impossible for me not to identify with her when she was telling me her own story in her own voice. The depths and the heights. The colors and the foods. This book was much more of a spiritual study than I’d expected, or maybe that’s what I took from it. I think about it all the time since I’ve finished listening to the story.

Theodore Boone, Kid Lawyer by John Grisham and read by Richard Thomas – I loved Encyclopedia Brown and suspected this would be in the same vein. It was, a little bit. It was charming in it’s complete old-fashioned and unrealistic quality, but it was also a bit hopeless. I found a disturbing casual sexism – the family eats out a lot because the mother (who is also a lawyer, like the father) can’t be bothered to cook – and racial stereotypes. I think the cover look far darker and more exciting than the book was, especially read by wholesome John-Boy Walton. This is Perry Mason for the Hannah Montana set and could be far more interesting.

Coraline written and read by Neil Gaiman – I liked this audio better than the movie, which was good. But far and away the best thing was listening to Neil Gaiman read his own work. He sounded a bit like David Bowie as Jareth in Labyrinth. A little. I think he’s the only fiction writer in my experiment who reads his own work.

Because of Winn Dixie by Kate DiCamillo and read by Cherry Jones – It is an ok story. I think the best thing about it is the voice of the character, India Opal and Cherry Jones really brought her to life. I wouldn’t be surprised to learn Cherry Jones reads Scout in To Kill a Mockingbird.

Size Fourteen is Not Fat Either by Meg Cabot and read by Kristen Kairos – It was weird to read this after having read the third. I knew what would happen in the next book, yet I was still surprised by a thing or two. Only, I didn’t like Kristen Kairos’s version of Heather Wells as much as the woman who reads her for Big Boned.

When You Are Engulfed in Flames written and read by David Sedaris – I’ve read a lot of David Sedaris. Some parts of this were boring, some parts I’d heard before. And as always, there was a gorgeous nugget I hadn’t ever heard or read. But there were some parts scattered throughout, especially the audio from live performances, complete with audience reactions, that are just brilliant.

Odd Hours by Dean Koontz and read by David Aaron Baker – I didn’t consciously start or end the experiment with Dean Koontz, but he somehow bookended my experience. He was my favorite writer for a long time, but I got woefully behind on his books. I’ve listened to all the Odd Thomas books on audio and I think they’re all read by David Aaron Baker, so it’s nice to have a consistent voice for the character. It was reassuring, in a way, to come back around to the voices I know so well.

Besides the people I saw everyday, what I miss most now that I’ve switched to a new gig is the opportunity to listen to so many fabulous books. My numbers are probably going to be a lot lower this month! I hope you enjoy reading these mini reviews of the audio books that made my epic journey survivable.

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