Tag Archives: Tulane

NaNoWriMo 2013 Days 16-18

So, back on Day 15, after I posted my update, I went to a fantastic concert at House of Blues’s Parish Room (which is also where I saw Lissie’s phenomenal show a few years ago). I was looking forward to Clairy Browne and the Bangin’ Rackettes for *weeks*, but I wasn’t sure if I’d be able to go till the day of the show. While waiting for my friends N. and M. outside, I saw a guy who looked vaguely familiar with a lady who didn’t look familiar at all. We had a pretty typical New Orleans conversation:

Me: “Hey, do you know where I know you from?”

Him: “No, but you sure do look familiar to me, too.”

Me (shrug): “Well, it’ll come up again some day, I’m sure.”

And then it took a turn for the surreal, which is still fairly typical of New Orleans conversations:

Her: “Hey, this guy just gave us two tickets to this show and we can’t stay for it. Do you want these tickets?”

Me: “Oh *hell* yeah!” (snatches tickets).

Still, no clue how I know him. Except now I know them both as concert ticket-bequeathing angels.

The Honorable South opened the show, which was exciting. I found out about them when my friends Adam Gambrel and Jax Baker directed and produced the music video for their song The Beast. Realized while grabbing links just now that more friends worked on it: Jil Szewski and Natalie Johnson. Adam’s just directed another video for their new song Saint Charles Parish.

Clairy Browne and the Bangin’ Rackettes were everything I’d hope they’d be. N’s friend A. joined us and we totally danced a loopy awesome swing style dance in the midst of the packed crowd. It was probably totally obnoxious to everyone around us, but also totally awesome. It was just one of those nights. I hope you have one or two soon, yourself.

I worked on Day 16 and had another long, fantastic social evening. No words! Ditto with Day 17, except it (Sunday) included a performance of Waiting for Godot at Tulane, attending with a friend with friends in the cast. It was really funny and well-done. Afterwards, we had to sustain ourselves with steak. So, still no words.

So I broke my no-word streak today. After a long day of work, I had an hour-long word war with Sis. At first, I didn’t know what to write. I started reading the next chapter of my book, looking for sections that could use shoring up or extra scenes. And I got inspired. As I was writing the scene, I realized that I may completely discard it, but that it was telling me something about how I felt the story had to go. By the end of the scene, I was fairly sure I’d keep the scene and change the rest of the book. The magic of NaNoWriMo.

I wrote 1,215 words, which brings my total so far this year to 10,538 words. I need more than 3,000 daily in order to hit 50,000 words by the 30th, so it’s increasingly unlikely I’ll “win” this year. But what an educational adventure it’s been. And at least I creeped over the 10K hurdle. In my worst year, I only wrote 6,827 words. So, I’ve already done better than my worst. It’s all gravy after that!

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For the Love of Brag

These bragging on posts just might be coming more frequently because the folks I know are certainly not slowing down their achievements. While I wait to post one brag, most of these folks double-up with a second achievement. I just have to keep up!

Since last I bragged:

One of my 225 Magazine editors (and long-time friend and co-conspirator), Jeff Roedel, has a new(ish) Tumblr blog.

Terri Shrum Stoor’s essay “Bird Dog” has been published by Quarterly West as the nonfiction winner of their Writers@Work contest.

Tad Bartlett wears many hats (among them, Oxford American columnist), yet still manages to update regularly about the achievements and events of Peauxdunque members and Friends of Peauxdunque.

Among them is the news that the first season of Denise Moore’s Neutral Grounds is available now on YouTube.

Maureen Foley wrote a great blog post about motherhood and creativity, about her soon-to-be-born book.

Her husband James Claffey’s book of short fiction, blood a cold blue, will be published by Press53 in the fall. He also has stories published at: Matterpress, The Nervous Breakdown, the Molotov Cocktail, Bartleby Snopes and Pithead Chapel.

Following up a fantastic Tulane reading, Ben Morris wrote a hysterical essay for The Oxford American about his experience krewing this recent Mardi Gras.

Nick Fox has a great series of blog posts about his recent travels in South America.

Ronlyn signing a ton of books and hiding bookmarks inside!

Ronlyn Domingue recently promoted her new novel The Mapmaker’s War at Garden District Books. She gave out bookmarks that she made with Kathryn Hunter of Blackbird Letterpress, who created the illustrations in the book. The bookmarks are signed and numbered and I was lucky enough to get #1 of the set, which happens to be my favorite illustration! I think this is a unique way to celebrate the publication of the book. Yes, I’m a fangirl, of Ronlyn and Kathryn and letterpress art.

 

Passages North has published Karin C. Davidson‘s Waasmode Prize-winning story “We Are Here Because of a Horse.” Karin has also started a new interview series with Newfound Journal’s Hothouse. The first interview is with Yolanda J. Franklin. The second interview will be with Andrew Lam.

Andrew Lam judged the prize that I won last year. He has a new book of stories out called Birds of Paradise Lost and has been touring extensively. You can hear Flashpoints Daily Newsmag’s interview with him while you’re waiting for Karin’s interview.

Eritria Pitts performed a one-woman show on Valentine’s Day and recently performed again during a RAW Artists event. Also exhibiting at the event was Alex Harvie, another old(school) LSU friend of mine (one of his gorgeous paintings graced the cover of the issue of Delta Undergraduate Journal I edited). The Honorable South performed and there were so many talented artists there, filling Eiffel Society with their raw energy (see what I did there, hmm?). Helen went with me to the event and I took a great photo of her and Eritria together.

Helen Krieger and Eritria Pitts at Eiffel Society

Helen Krieger and Eritria Pitts at Eiffel Society

Speaking of Helen Krieger, there’s going to be an encore screening of Flood Streets at Buffa’s March 31st, at 6:30 p.m.

Harold Ellis Clark (Hal of WYLD’s Sunday Journal) was celebrated in NYC as one of two finalists for the 2013 Stanley Drama Award for his play Tour Detour.

Maurice Ruffin has three upcoming readings in the next week. The first is tonight, UNO’S Gold Room starting at 7:30 p.m. at Handsome Willy’s and will include other UNO MFA students. The third one is next Thursday at 8 p.m., the 17 Poets series at Gold Mine Saloon. The middle reading is part of the Tennessee Williams Festival, which started yesterday. Maurice and other members of the Melanated Writers Collective will read tomorrow night at the Literary Jook Joint, 8 p.m. at the M. Francis Gallery.

Speaking of the Tennessee Williams Festival, I’m super excited about the speakers and panels this year, all of which look excellent. A few of my mentors and friends will be appearing, including Moira Crone, Ava Haymon and Susan Larson.

My newest 225 piece is up, a story about John Biguenet’s Rising Water play cycle being performed in Baton Rouge, Lafayette and New Orleans this month. There’s a Tennessee Williams Fest connection here, too, because the New Orleans play, Mold, premiered this week at Southern Rep as part of the festival. The play will continue through April 14th. I’m looking forward to seeing it this weekend.

I really owe all of these people, all of my friends and mentors, a huge debt of gratitude. They actively make it difficult not to strive for excellence in what I do, because they are constantly achieving and succeeding and working.

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